Over the course of his 40-year recording and performing career, Robben Ford’s rhythm guitar work has excited the ears of his audience fired up his musical collaborations with dozens of top artists and simply amazed his fellow guitar players really giving budding guitar players many free rhythm guitar lessons . “Playing rhythm guitar is the greatest joy in my musical life,” says Robben,“I love the subject of rhythm guitar, I love talking about it and I’m thrilled to have the opportunity to finally present my rhythm guitar lessons approaches in this Rhythm Revolution video course.”
Here’s a great opportunity to hear direct from the master. In this series of lessons, Robben shares his overviews, techniques and approaches, as well as musical rhythm guitar studies for context. Grab your guitar and get inspired!
Watch and learn as Robben demonstrates his rhythm guitar lessons in detail. You will learn a lot from these videos I can assure you of that
I’m Your Man:
North Carolina: Overview
We are going to focus on a B flat blues here with a funky little beat. The aspect that I want to relate to here is the use of sixths which is the tonic note of a chord and adding the sixth above it. You will have two notes – it’s called a double stop, but instead of just thirds these are sixths. I will show you how to move them around the guitar.
Grab your guitar and step inside the factory with Corey; for some Texas blues playing where you’ll find yourself in good company — inspiration from Stevie Ray Vaughan, Lightin’ Hopkins, Doyle Bramhall II, Jimmie Vaughan, Albert Collins, Freddie King, Kenny Wayne Shepherd, Billy Gibbons, Chris Duarte, Clarence “Gatemouth” Brown and many other giants of Texas guitar style are found within. Corey…
Texas guitar playing is a style of blues music. It usually has more jazz– or swing-influences than other blues styles.
Texas blues began to appear in the early 1900s among African Americans who worked in oilfields, ranches and lumber camps. In the 1920s, Blind Lemon Jefferson innovated the style by using jazz-like improvisation and single string accompaniment on a guitar; Jefferson’s influence defined the field and inspired later performers. During the Great Depression in the 1930s, many bluesmen moved to cities including Galveston, Houston and Dallas. It was from these urban centers that a new wave of popular performers appeared, including slide guitarist and gospel singer Blind Willie Johnson. Future bluesmen, such as, Lightnin’ Hopkins, Lil’ Son Jackson, and T-Bone Walker were influenced by these developments.
T-Bone Walker relocated to Los Angeles to record his most influential work in the 1940s. His swing-influenced backing and lead guitar sound became an influential part of the electric blues. It was T-Bone Walker, B.B. King once said, who “really started me to want to play the blues. I can still hear T-Bone in my mind today, from that first record I heard, ‘Stormy Monday.’ He was the first electric guitar player I heard on record. He made me so that I knew I just had to go out and get an electric guitar.” He also influenced Goree Carter, whose “Rock Awhile” (1949) featured an over-drivenelectric guitar style and has been cited as a strong contender for the “first rock and roll record” title.
The state’s R&B recording industry was based in Houston with labels such as Duke/Peacock, which in the 1950s provided a base for artists who would later pursue the electric Texas blues sound, including Johnny Copeland and Albert Collins.Freddie King, a major influence on electric blues, was born in Texas, but moved to Chicago as a teenager. His instrumental number “Hide Away” (1961), was emulated by British blues artists including Eric Clapton.
In the late 1960s and early 1970s the Texas electric blues scene began to flourish, influenced by country music and blues rock, particularly in the clubs of Austin. The diverse style often featured instruments such as keyboards and horns with emphasis on guitar soloing. The most prominent artists to emerge in this era were the brothers Johnny and Edgar Winter, who combined traditional and southern styles. In the 1970s, Jimmie Vaughan formed The Fabulous Thunderbirds and in the 1980s his brother Stevie Ray Vaughan broke through to mainstream success with his virtuoso guitar playing, as did ZZ Top with their brand of Southern rock.
As you get set to play acoustic blues rhythm depict this. You’re jamming a 12 bar blues ramping it up with a awesome improvised solo on your acoustic guitar. You finish your solo and then play acoustic blues rhythm for a someone else to take a solo. What do you do to keep circumstances fascinating, and to motivate whoever is soloing over your lilt playing?
Hopefully you have a little more to volunteer than the same aged chord shapes and plucking decorations. If not, this is something you need to fix, as it’s a great in-balance in your playing that is never good. In information it’s very common to hear players excel in the soloing department, and truly struggle on the rhythm place of things. Yet, generally expressing, rhythm guitar is what we do the majority of our time when playing music.
So What Is Acoustic Blues Rhythm
As it’s the universal lingo amongst musicians. Everybody can play through a 12 bar blues, and it’s often the best to do when first meeting up with person for a jam. There ought to have many times in my own life where I have literally really met a person and within hours we are jamming out a blues together, sometimes in actual gig places. It’s great fun to do!
Nonetheless, as noted previously, this is necessary more than just soloing and improvisational skills to truly cut it. The rhythm place is just as important and today I’m going to show you 3 formidable roads you can approach a 12 bar blues when playing the lilt. You will be able to make these ideas into your next jam and blow everyone a way as you yourself won’t just sound better, but everyone else playing with you will too.
The 12 Bar Blues Progression To Rehearse Your Acoustic Blues Rhythm
A 12 bar blues is something most guitar players memorize very early on. Today we will work in the key of G. Now is the progression:
| G7 | | | | C7 | | G7 | | D7 | C7 | G7 | D7 ||
Now, there is nothing hard with making your way through the following chart playing open or bar chords. The trouble is if this is all you can do. As you can imagine, that would get jolly boring, pretty quickly , not just for yourself who is playing the chords, but for the person or persons soloing over them very.
Regrettably, numerous guitar players is simply do this( ie. toy basic chord shapes) when put on the spot to dallied a 12 bar blues, whether it be at a jam or in a gig situation. It’s a shame because there is so much more you can do with a 12 bar blues as far as the lilt guitar segment is concerned.
What Else To Consider With Your Acoustic Blues Rhythm Playing
The other thing to consider when developing your lilt guitar chops is the benefits it has for those you play with very. I know that I have always improvised my best good when I am playing with a great lilt guitar player. It gives me so much more to feed off, and you can bet I will be seeking that player out again to jam with, or perhaps structure a stripe.
So, if you want to be the player everyone wants to play with, develop your lilt guitar playing!
Let’s get into it …
1. Adding A Contact Of Jazz To The Blues
Jazz and off-colors are closely related, and the vogues actually cross over with what is commonly known as a jazz blues progression. This is also 12 barrooms in period and normally use more chords than your standard 12 saloon off-colors. I affection accepting such an approach when playing the rhythm segment to a off-colors. It truly brought about by some cool phones when you solo over it.
Heres A Progression With The Classic Progression Seen In Jazz A Lot called The 1,2, 5 Chord Perfect Cadence Or Resolution
Here is a 12 Bar blues jazz progression in our key of G :
As you can see and hear there are more chords in our example above, however we are playing the same 12 bar blues model. In the jazz world it is very common to replacement chords into a progression. While it’s beyond this article to go into detail regarding this, the above progression is a great way to introduce some more chords you can use in your lilt guitar playing. This is true not just for a blues but for other areas of your playing.
Its Not That Complicated
Discovered the example above and start get some of these chords into your ears and your paws so they become part of your lilt guitar playing arsenal you can draw from when playing/ jamming.
2. Rhythm Riffs For Your Off-colors Dallying
One alternative approach to plucking chords all the time is to use riffs in your acoustic blues rhythm playing. These are known as lilt riffs odd fairly, and are great for creating a part that will work well in accordance with person improvising over them. When you have some lilt riffs down in your playing it would be a good idea to create variations of them.
3. Squandering Block Chords In Your Off-colors Progression
Block chords are another great path to approach playing the lilt part of a blues progression. I recollect when I first reached across these guys many years ago. Then I literally devoted them to everything and anything I could. I affection the possibilities. These chords are referred to as 4, 3, 2, 1 articulations in relation to the cords they fall on.
What To Do Next
Your first step is to get each example down above. This may take a little time, which is fine, really don’t hurry it. Once you have however, there is more you are able to and can do. You can improve your acoustic blues rhythm to motivate others.
I intentionally obstructed the precedents in this article in the same key. This was so you could more easily connect them together. Once you have these lilt approaches down, you then want to apply and connect them together. This is vitally important if you want to make anything in this article part of your own guitar playing.
I Can’t Stress This Point Enough
Apply the things you learn, over and over, in many different melodic context. Too mix the things you memorize together very. By doing this you will unknowingly come up with your own variations of acoustic blues rhythm which is the whole target. Your aim is to be able to play and improvise through a off-colors. Happening up with running acoustic blues rhythm roles as you progress from one segment to another.
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