F blues scale for acoustic guitar

Blues On Acoustic Guitar Is A Bit Different Than Electric

Acoustic Guitar

Blues Jam Session It really is too easy to learn, how you need to play the blues acoustic guitar scale. The experts would feel to many easy and even playing. However, participating in guitar can be an art in itself. It’s important to maintain right hand strength to get wonderful music and beautiful rhythms happening.

The blues guitar scale is almost parallel or alike to that of the minor pentatonic scale. Well, it was resulted with indulgence of the flat fifth. The flat fifth is too unique and different having atonal quality. Well, it almost sounds having evil overtones and almost too dark sounding.

Have You Heard Of The DEVILS Note?

It is of the belief that hundreds of years back the flat fifth was recognized as “The Devil’s note”. This musical interval was banned to use at many different places, it was believed that it invokes the devils.

Now days, people are getting more temperate towards the some of the interesting rhythms and their sounds as well. These interesting sounds are of the flat fifth. the other name given to these sounds are “blue” note. You will find that it has being applied or used everywhere over everything – different sound tracks. It is applied over rock and blues at same time from blues to jazz as well as from heavy metal to different world music.

Don’t you feel you have knowledge about the method of playing the blues scale on your acoustic guitar?


Here, is small diagram describing about how you should play the blues scale on your acoustic guitar. There are two different signs “X” and “O”. Well, they describe about the notes, which describe and make the scale. It is not at all difficult to add extra note inside. It does not require much expertise as well in adding additional note.

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Pentatonic And Blues Scales For Guitar

What Are Blues Scales

The blues scales are truly based off of the pentatonic scales with one extra note added. We call that extra note the “blue note ” because it devotes the pentatonic scale its obvious “bluesyness .” The actual note in the context of the scale lets say C Major, is called a Flat 5 which would be F# in the Key of C.

The only real discrepancies between the scales on the guitar and the same scales on any other instrument is the fact that there is more than one route to play them on a guitar. This is due mostly to the fact that the guitar is a stringed instrument and there are at least 3-5 ways to play any unique note.

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Pentatonic Scales Are Used In Jazz Guitar Scales

Ye Olde Devils Note The Flat 5

The minor pentatonic blues scales are created using the root( or 1 ), flatted 3rd, 4th, 5th, and flatted 7th of a major scale. Notice that there is no 2nd or 6th scale tone used. There’s an interesting reason for that but it requires a substantial sum of music theory to explain it and this isn’t actually the place for that now.

To make the minor blues scales we take the minor pentatonic scale and add a flatted 5th( or sharp 4) to it. In the key of A, this creates a scale with the notes A, C, D, Eb, E, and G in it. Some people don’t differentiate between the minor and the major blues scales. If someone calls a scale a blues scale, assume they mean the minor version. The diagram below is in the Key of F# so just move the entire scale up 3 semitones you will be in the key of A as mentioned above.

Blues Scales For Guitar

A major pentatonic scale is created with the 1st( root ,) 2nd, 3rd, 5th, and 6th tone of a major scale. In C that would be C, D, E, G, and A. To make them major blues scales you add a flat 3rd which gives you C, D, Eb, E, G, and A in the key of C.

The Difference of Major & Minor Notes

Notice that the rule governing relative major and minor keys/ scales is also in effect here. If you look at the keys of A minor and C major, which are relative, meaning the product contains the same notes, you’ll find the same group of notes.

The A minor blues scale is A, C, D, Eb, E, and G. The C major blues scale is C, D, Eb, E, G, and A. Same notes, different starting point. This sort of thing happens all the time in music. This is of particular interest if you’re playing blues result guitar because you can see that your blues guitar scales genuinely do double duty. Once you learn one pattern, it’s really useful for 2 keys, one major and one minor.

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Minor Pentatonic And Blues Scale For Guitar

Very Different Sound For Just Adding One Note

Pentatonic and blues scales for guitar are an essential part of any players guitar riff tool set. If you have a good knowledge of your blues scales, you’ll develop an understanding of how existing songs and solos run. It’s great fun to learn a lick, riff or solo from someone like Eric Clapton or BB King and actually realise how they wrote that particular piece. It’s almost like learning how to think like they do as songwriters and blues guitar players.

Now, if you’re interested in playing the blues, the best place to start is with the pentatonic scale. By adding just one note, you can convert that scale into the full fledged blues scale. So, here is your first pattern. Starting with the low E String, the numbers correspond to which fret you should place your fingers on. You play two notes for each string.

Pentatonic Vs Blues Scale

Pentatonic Scale in A : 5 8 – 5 7 – 5 7 – 5 7 – 5 8 – 5 8

Pentatonic scale

Now to convert this into the blues scale, we just have to add one single note, known appropriately enough, as the ‘blue’ note or flat 5.

Blues Scale in A: 5 8 – 5 6 7 – 5 7 – 5 7 8 – 5 8 – 5 8


A Minor Blues Scale

If you practice these scales back to back over the top of a backing track you’ll notice that one note adds a whole different flavor to the tone colour. You should expend a little time practising these two scales over a few different blues backing tracks or if your lucky enough to have a friend that will play rhythm while you practice GREAT! That route you’ll actually get a feel for how they sound in the context of a full band. Why don’t you get started right away?

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Blues Scale For Guitar

Lets Explore The Blues Scale More

When I was a younger guitar player I used to watch in awe at players that could effortlessly jam with other’s playing lick after lick of great lead guitar. I thought I would never be that good until I learned the blues scale for guitar. The blues scale opened my eyes to the world of improvisation and within a month I was up there jamming along with them. This article will show you how to play a blues scale for guitar and also devote a few pointers on successfully employing it to play lead guitar.

So Why Is The Blues Scale So Different?

First a little background on the blues scale for guitar. It is basically derived from the minor pentatonic scale. If you play a minor pentatonic and add one note( the flatted fifth) you get the blues scale. This added note is what dedicates the scale its sad, dark quality. In medieval times the flatted fifth was known as the ‘The Devil’s Note’ and its use banned in some kingdom’s. Today though people are more forgiving of this unusual tone and some actual opt it. The blues scale can be found in almost all different forms of music whether it be rock music, jazz, blues, heavy metal, and other world music.

Here is a diagram of the Blues Scale for Guitar

E | –X– | —— | —— | –X– |

B | –X– | —— | —— | –X– |

G | –X– | —— | –X– | –O– |

D | –X– | —— | –X– | —— |

A | –X– | –O– | –X– | —— |

E | –X– | —— | —— | –X– |

The X’s and O’s represent the notes that make up the blues scale. The O’s are the flatted fifth or ‘blue’ note. If you were to omit these notes from the pattern you would be left with the minor pentatonic scale.

Blues Scale For Guitar

How to use the Blues Scale for Guitar

The scale pattern I have shown above can be played starting any fret of your guitar. It works well over minor chords, power chords and Dominant seventh chords. Practice the scale up and down and memorise all the notes well enough to do it without looking. Then try juggling them around to come up with your own licks.

Heres A Cool Blues Guitar Trick 

Play a note not in the scale and bending or slide into the note that is in the scale. You will have to experiment with this one because not all outside notes will voice as please as other’s but this is a really cool audio that will instantaneously induce you sound like a pro.

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