Beginning Blues Guitar Lessons

If you are beginning blues guitar lessons this is a great album to learn off. Its called The Joker which is the eighth album by Steve Miller Band, released in 1973. Its not traditional blues but it does have many blues elements of modern blues. The album marked a period of significant change for the group as the band abandoned their psychedelic oriented music for a more melodic, smooth rock/blues sound. Perhaps not coincidentally, it was also their first solid commercial success due to the strong radio-play of the title track. The title track took 19 days to record. The album reached #2 on the Billboard 200 and has been certified Platinum in the United States.


Beginners Blues Guitar Lessons


The artwork of the album is also considered amongst the greatest; for example Rolling Stone would later rank it as one of the “Top 100 Album Covers Of All Time”.


Beginners Blues Guitar Lessons


Stephen Thomas Erlewine of AllMusic rated The Joker three out of five stars, calling it “all bright and fun, occasionally truly silly” and great for beginning blues guitar lessons. He also stated that it “isn’t mind-expanding”, but concluded by saying that it “nevertheless maintains its good-time vibe so well that it’s hard not to smile along…provided you’re on the same wavelength as Miller, of course.”

AllMusic was launched as All Music Guide by Michael Erlewine, a “compulsive archivist, noted astrologer, Buddhist scholar and musician.” He became interested in using computers for his astrological work in the mid-’70s, and founded a software company, Matrix, in 1977. In the early ’90s, as CDs replaced vinyl as the prevalent format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a “flaccid latter-day rehash.” Frustrated with the labeling, he researched using meta data to create a music guide. In 1990, in Big Rapids, Michigan, he founded All Music Guide with a goal to create an open access database that included every recording “since Enrico Caruso gave the industry its first big boost”.


Beginners Blues Guitar Lessons


The first All Music Guide was a 1,200-page reference book, packaged with a CD-ROM, titled All Music Guide: The Best CDs, Albums & Tapes: The Expert’s Guide to the Best Releases from Thousands of Artists in All Types of Music. Its first digital iteration, in 1991, was a text-based Gopher site. It moved to the World Wide Web as web browsers became more user-friendly.

Erlewine hired a database engineer, Vladimir Bogdanov, to design the All Music Guide framework, and recruited his nephew, writer Stephen Thomas Erlewine, to develop editorial content. In 1993, Chris Woodstra joined the staff as an engineer. A “record geek” who had written for alternative weeklies and fanzines, his main qualification was an “encyclopedic knowledge of music”. 1400 subgenres of music were created, a feature which became central to the site’s utility. In a 2016 article in Tedium, Ernie Smith wrote:

“AllMusic may have been one of most ambitious sites of the early-internet era—and it’s one that is fundamental to our understanding of pop culture and beginning blues guitar lessons. Because, the thing is, it doesn’t just track reviews or albums. It tracks styles, genres, and subgenres, along with the tone of the music and the platforms on which the music is sold. It then connects that data together, in a way that can intelligently tell you about an entire type of music, whether a massive genre like classical, or a tiny one like sadcore.”

In 1996, seeking to further develop its web-based businesses, Alliance Entertainment Corp. bought All Music from Erlewine for a reported $3.5 million. He left the company after its sale.[4] Alliance filed for bankruptcy in 1999, and its assets were acquired by Ron Burkle’s Yucaipa Equity Fund.

In 1999, All Music relocated from Big Rapids to Ann Arbor, where the staff expanded from 12 to 100 people. By February of that year, 350,000 albums and 2 million tracks had been cataloged. All Music had published biographies of 30,000 artists, 120,000 record reviews and 300 essays written by “a hybrid of historians, critics and passionate collectors”.

In late 2007, AllMusic was purchased for $72 million by TiVo Corporation (known as Macrovision at the time of the sale, and as Rovi from 2009 until 2016).

In 2015, AllMusic was purchased by BlinkX

Four tracks from the album were released as singles: “The Joker” (1973), “Your Cash Ain’t Nothin’ but Trash” (1974), , “Shu Ba Da Du Ma Ma Ma Ma” (1974) and “Evil” (1975).

Released on Capitol Quadraphonic 8-track tape. All beginning blues guitar lessons should start with this legend of blues rock. The Quadraphonic 8-track tape of this album features an extended (4:11) unedited version of “The Joker” and also features studio talk before “Your Cash Ain’t Nothin’ But Trash”. The studio talk information is also present on the standard vinyl release.


Beginners Blues Guitar Lessons


Near the end of the song “Lovin’ Cup”, someone can be heard saying “Last….Last verse”. This is very noticeable on the Quadraphonic 8-track tape. According to an email from, it was Lonnie Turner the bassist.
Track listing

“Sugar Babe” (Steve Miller) – 4:35
“Mary Lou” (Obie Jessie, Sam Ling) – 2:24
“Shu Ba Da Du Ma Ma Ma Ma” (Miller) – 5:41
“Your Cash Ain’t Nothin’ but Trash” (Chuck Calhoun) – 3:21
“The Joker” (Miller, Eddie Curtis, Ahmet Ertegün) – 4:26
“The Lovin’ Cup” (Miller) – 2:10
“Come On in My Kitchen” (live at the Tower Theater, Philadelphia) (Robert Johnson) – 4:06
“Evil” (live) (Miller) – 4:35
“Something to Believe In” (Miller) – 4:41

Steve Miller – guitar, vocals, harmonica
Gerald Johnson – bass guitar (all but 8), vocals
Dick Thompson – organ, clavinet
John King – drums

Additional personnel

Lonnie Turner – bass guitar (8)
“Sneaky” Pete Kleinow – pedal steel guitar (9)
John Van Hamersveld and Norman Seeff – album cover design
Norman Seeff – photography

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100 Blues Licks Pdf Eric Clapton Guitar Influence

This article is about the career of Eric Clapton and 100 blues licks pdf

It includes information about his influences, bands he’s played in, the CDs and DVDs he’s released, 100 blues licks pdf and the musical equipment he’s used.


100 blues lick pdf



Few guitarists, if any, have been as influential as Eric Clapton. He started by learning the riffs of blues masters Freddie King, B.B. King, Albert King, Buddy Guy, and Robert Johnson, among others. Combining this encyclopedia of blues licks with his own original phrases, he developed a style which has become the template for blues/rock guitar playing.

Eric first became known in 1963, as the lead guitarist for the Yardbirds, a virtual university of Rock and Roll Hall of Fame guitar players, whose graduates also include Jimmy Page and Jeff Beck. The solos on early singles “I Wish You Would” and “Good Morning Little School Girl” provided a glimpse of the stem cells from which Clapton’s body of work would emerge. The voices of this stylistic DNA were the Fender Telecaster, Fender Jazzmaster, and Gibson ES-335 guitars, played through Vox AC-30 amplifiers. In 1964 Yardbirds manager Giorgio Gomelsky gave Clapton the nickname “Slowhand”. The true origin of many blues riffs and 100 blues licks pdf. The legend is that when Eric broke a string onstage, the audience would engage in a “slow hand clap” until Clapton had finished changing it.

In 1965, following the release of the hit single “For Your Love”, Clapton left the Yardbirds because of artistic differences. Instead of the pop stardom the rest of the Yardbirds desired, Clapton wanted to play music that was true to his blues roots. He joined forces with John Mayall and the Bluesbreakers, whose alumni also include original Fleetwood Mac guitarist Peter Green and Rolling Stones guitarist Mick Taylor. Mayall and Clapton recorded “Blues Breakers with Eric Clapton”, nicknamed “The Beano Album”, because Clapton was pictured reading a Beano comic book on the cover. Highlights included a smoking version of “Hideaway”, Freddie King’s instrumental classic, and Robert Johnson’s “Ramblin’ on my Mind”, which is Clapton’s first recorded vocal performance. With the Bluesbreakers, Clapton combined Gibson Les Pauls and Marshall amplifiers to produce a guitar sound noted for high volume, feedback, and sustain. Eric’s reputation grew to the point that fans began to write “Clapton is God” on the walls of buildings around London as a tribute to his guitar playing prowess.

After a year in the Bluesbreakers, Clapton decided to further expand his musical horizons by forming his first “super group” with bassist Jack Bruce and drummer Ginger Baker in 1966. They chose the name “Cream” because they were considered “the cream of the crop” of British blues musicians. Their debut album, “Fresh Cream”, was followed by the classic “Disraeli Gears”. Clapton and Bruce shared singing and songwriting duties, and on the hit single “Sunshine of Your Love”, they traded vocal lines. The tune was their tribute to Jimi Hendrix, and included a spectacular solo by Clapton that quoted the 50’s song “Blue Moon” in the opening phrase. The ingredients for Clapton’s Cream recipe were the Gibson Les Paul, SG, ES-335, and Firebird, plugged into two 100-watt Marshall stacks. Eric was one of the first guitar players to popularize the Vox Wah Wah pedal, which was heard on “Tales of Brave Ulysses”, from “Disraeli Gears”, and “White Room”, from the studio disc of the two-record set, “Wheels of Fire”. The live disc of “Wheels of Fire” contained a reworking of Robert Johnson’s “Crossroads”, in which Clapton took the colors of a Mississippi delta blues Rembrandt and painted a psychedelic rock guitar Picasso. “Badge”, from “Goodbye Cream”, featured the use of a Leslie rotating speaker to create a phasing effect during the bridge section of the song. The DVD “Cream’s Farewell Concert” offers a taste of Cream’s live performances, which were flavored with extended jams cooked up by the three instrumental virtuosos.

During his time with Cream, Clapton jammed with several other British rock bands, including the Beatles and the Rolling Stones. As a guest in the studio, he contributed the solo to George Harrison’s “While My Guitar Gently Weeps”, from the Beatles’ “White Album”. The DVD “The Rolling Stones’ Rock and Roll Circus” contains Clapton’s performance with “The Dirty Mac”, a group lead by John Lennon, which included Jimi Hendrix Experience drummer Mitch Mitchell and Rolling Stones guitarist Keith Richards on bass.

After Cream’s breakup, Clapton formed Blind Faith, a congregation which included singer/ songwriter/ keyboardist Steve Winwood, bassist Ric Grech, and former Cream drummer Ginger Baker. The highlights of Blind Faith’s self-titled album were the hit single “Can’t Find My Way Home”, and “Do What You Like”, in which Baker contributed a devastating drum solo. Clapton’s instruments of “Faith” were a Gibson ES-335, a Gibson Firebird, and a Fender Telecaster with a Stratocaster neck, played through a Fender Dual Showman or Marshall amp. The DVD “London Hyde Park 1969” documents the band’s debut concert.


100 blues licks pdf


While touring with Blind Faith, Clapton became friends with the opening act, Delaney and Bonnie Bramlett. He recruited their backup musicians, keyboardist Bobby Whitlock, bassist Carl Radle, and drummer Jim Gordon, to form his next band, Derek and the Dominos. With Allman Brothers guitarist Duane Allman sitting in on slide guitar, the Dominos recorded “Layla and Other Assorted Love Songs”. The two record set featured extended guitar workouts on “Keep on Growing”, “Tell the Truth”, “Why Does Love Got to Be So Sad?”, the blues standard “Key to the Highway”, Jimi Hendrix’ “Little Wing”, and “Layla”, on which Clapton and Allman overdubbed interweaving slide parts onto an extended coda written by drummer Gordon. He was also acredited to introducing 100 blues licks pdf and other great blues guitar training manuals. Eric’s main guitar at this time had become the Fender Stratocaster. His amplifiers of choice were a Fender Champ in the studio, and either a Fender Showman or a Marshall onstage.

Clapton’s solo career began in 1970 with “Eric Clapton”, mainly written by Delaney and Bonnie Bramlett, with the Dominos providing the musical backing. “461 Ocean Boulevard” followed, featuring Bob Marley’s “I Shot the Sheriff”, which was Eric’s first foray into reggae. Other highlights of his solo career were “Slowhand”, which included a cover of J.J. Cale’s “Cocaine”, “From the Cradle”, an album of blues standards, “Unplugged”, a Grammy winning acoustic album, “Riding with the King”, recorded with B.B. King, and “Me and Mr. Johnson”, a tribute to Robert Johnson. Clapton’s main axe during his solo years was a hybrid Stratocaster nicknamed “Blackie”, which was put together from the parts of three different 1950s Strats. In 2004 “Blackie” was auctioned for $959,500, with the proceeds going to Clapton’s “Crossroads Centre, Antigua”, a charity he formed to help victims of alcoholism and substance abuse. The DVDs “Crossroads Guitar Festival” and “Crossroads Guitar Festival 2007” chronicle concerts in which Eric was joined by guitar players Buddy Guy, B.B. King, Hubert Sumlin, J.J. Cale, John McLaughlin, Steve Vai, Joe Walsh, Carlos Santana, Johnny Winter, Albert Lee, Jeff Beck, Robbie Robertson, Robert Cray, and Jimmie Vaughan, among others.

With his impressive resume of musical accomplishments, beginning in the 1960s and continuing to the present day, Eric Clapton’s incredibly wide ranging influence reverberates throughout the guitar playing community.


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100 Blues Licks Guitar Tricks

At this site you can learn 100 blues licks guitar tricks for beginners to advanced

Learning 100 blues licks guitar tricks or even just picking up a guitar and making beautiful music is a great feeling and a big accomplishment. Sadly, most people believe they will never learn how to play. That’s why we started Guitar Tricks® to provide online guitar lessons for those searching for an easy, fast, and fun way to learn.

There are different ways people have tried and failed to learn. In-person instructors and YouTube seem like great options at first, but they usually lead to slow progress and staggered results.

It’s impossible to achieve your learning goals with wannabe celebrity instructors, or searching through hundreds of broken lesson videos. Here, we’ll give you all the knowledge you need to succeed with our award-winning, step-by-step curriculum.

Guitar Tricks® invented online guitar lessons in 1998, and has grown its comprehensive lesson library to over 11,000 lessons, and over 700 songs, with top-notch instructors from all over the world.

You’ll feel confident learning with our easy-to-follow lessons that build on your skills slowly, so you move on to the next level with ease.

The best part is 100 blues licks guitar tricks has lessons for everyone, whether you’re an absolute beginner learning guitar or an advanced guitar player looking to improve your technique. With lessons that teach you from the ground up covering every genre, you won’t get bored or lost with repetitive lessons.

You can jump right into playing your favorite songs by artists like The Beatles, The Rolling Stones, Eagles and tons of other popular artists.

Guitar Tricks Caters For Beginners To Advanced Guitar Lessons

100 blues licks guitar tricks


Guitar Tricks® has over 700 popular song lessons for guitar, more than TWICE as many as the nearest competitor!

Our instructors show you every section of the song, note by note, and even teach you how to get the proper tone for a song. If you have any questions about our 100 blues licks guitar tricks program just contact us for help. At the end of each tutorial there’s a play-along video with a full backing band!

In a recent survey Guitar Tricks®members said they learned 50-100% faster than with other learning methods.

Check out the Guitar Tricks Reviews page to see how people have learned to play from the best online guitar lessons.

After 20 plus years of frustration, trying and wishing to learn to play the guitar, Guitar Tricks helped me to finally succeed.My playing has progressed more in the nine months I have been studying with Guitar Tricks than in the previous 25 years.The best part about learning to play the guitar was the enjoyment my children and wife get out of seeing me play and singing along. This was an aspect I never anticipated but has been a true blessing for our family.

Sam J. Weisen

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Learn To Play Guitar Why I Just Had To Learn

I Had To Learn To Play Guitar I Had No Choice

I had to learn to play guitar as a young minor. I didn’t have rock-star daydreams because I believed that becoming a idol made having the right acquaintances more than having exceptional musical ability. I exactly enjoyed the music enjoyed playing and being able to make it myself. I liked putting my own touchings on some of the songs I heard on the radio.

As era passed, I’d go through periods where I didn’t play my guitar for months, maybe even a year. Then I’d pick it up and play a song or two. Life drew me in many different directions with boasts, daughters, and clas. But I could always pick up the guitar and play video games it as though I’d never introduced it down.

One of the most important reason I had to learn to play guitar was an English Group announced Mannfred Manns Earth Band, who I really loved the guitar playing, resonate and really had to learn how to get it on. I would just like to one public carry-on in high school. A daughter and I structured a band and we played time three or four carols. We never played together again and I don’t remember touching my guitar again until my Hi School times.

Learn To Play Guitar

To memorize to frolic guitar was one of the few concepts I’d taken with me from my childhood because I didn’t outgrow the guitar. Unlike golf clubs, invests, Cricket at-bats, and toy trucks, guitars aren’t outgrown. When the strings stretch a bit or interrupt, you simply buy brand-new ones. There aren’t many segments to go bad but even if they do, they can be replaced. So, if you wanted to, the same guitar could be taken with you for a very long time.

Another huge characteristic of the guitar as relevant instruments why I wanted to learn to play guitar is that, unlike other instruments, it simply makes discovering a few chords in order to be able to play a very large number of popular songs of which I ascertain stacks of and even put together lots of my own songs.

So perhaps I’ve convinced you to learn to represent guitar if you’re pondering reading relevant instruments. It’s an excellent beginning of stress easing and recreation. Plus, “youve never” know when it might come in handy socially or in business.

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If you’re going to learn guitar then you have a couple of options. One be able to find a neighbourhood educator who can work with you one-on-one with a method he’s used to teach others. The down side to this is that you have to work around the teacher’s planned and when you run into issues during practice you smack an impasse until you can meet with your instructor again.

The other alternative is to use an online-guitar-learning plan or DVD to learn. The upside to this is that they are able to ascertain at your own gait without having to work around someone else’s planned. The down side to this is that you don’t have an expert watching your proficiency. So you’ll need to focus on the particulars of the technique taught in the system you choose.

I’ve always been glad I wanted to learn to play guitar and enjoy it so much it stimulated me to memorize more and more until I acquired a Bachelor Of Music in Guitar and acquired this ability and I inspire you to consider the same. I bet you’ll find that you can take it with you just about anywhere.





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Blues Harmonica

Heres A Important Intro To Blues Harmonica

First of all it’s important to know that there is not a separate blues harmonica instrument – blues harmonica is instead a style of playing the harmonica. Blues harmonica is played most often on the major diatonic 10 hole harmonica.

Harmonicas were invented in Germany in the 1800s and were at the time were basically used to play the “oom-pa-pa” or classical music or folk tunes of the time and of that area. The major diatonic harmonicas really haven’t changed their tuning very much since that time.


Blues Harmonica

That doesn’t mean that you have to play folk, classical, or oom-pa-pa music on the diatonic harmonica, it just means that you have to play in a different style, and with a few different techniques, in order to get the blues harmonica sound.

The first that has to be done in order to be able to play in the blues harmonica style and get the blues harmonica sound is to no longer play using the built-in blow-oriented tuning of the diatonic harmonica.

Instead, what you do is play in what’s called second position or “crossharp”.

In second position playing, your root note for the harmonica is the #2 draw on the harmonica (“draw” means inhale in harmonica language), NOT the #1 blow (which is the standard folk, classical, oom-pa-pa position).

The second position takes advantage of the DRAW CHORD which is built into the first four holes of the diatonic harmonica, which is a seventh chord – seventh chords are extremely important for blues music.

So now you have a new orientation for your harmonica playing: away from the BLOW-oriented style of the first position, to the DRAW-oriented of the 2nd position which uses the root note #2 draw, or the root chord you could also say, on the diatonic harmonica.

By starting on the #2 draw – what you have is a different scale that you are taking advantage of on the harmonica – technically it is a minor pentatonic scale.

However, this particular pentatonic scale has flatted notes or “blue” notes in it in order to get that “bluesy” sound, and is a specialized scale often called the blues scale. To get the flatted “blue” notes in the blues harmonica style it is necessary to become proficient at a technique called “bending notes” on the harmonica.

Bending a note on the harmonica is actually creating a note that wasn’t built into the harmonica – it’s almost a magical thing. The harmonica works by air flowing a brass reed that is riveted in a slot. The harmonica has one blow reed and one draw reed right above it in each slot. When the harmonica is assembled, you don’t see the slots, but just know that these reeds, 1 blow and 1 draw, are in the same hole, one above the other.

You have 10 holes in the typical major diatonic harmonica, and 10 blow and 10 draw notes, so you have twenty built-in notes.

By bending notes, you can get considerably more notes, and more often than not it is these bent notes that gives the harmonica its’ “soul” and its’ very “vocal” sound.

How to bend a note is quite a study unto itself, but the main thing you are doing while bending a note is changing the air pressure while the air is flowing over the reed, and in almost all cases this will be on a draw note.

To get started bending notes, choose one of the harmonica holes that usually is one of the easier notes to bend, the #2 draw.

First you must have a good single note technique. That is, you must be good at playing only one hole at a time without other holes leaking in their sound.

Next – you draw in the #2 draw with that clear relaxed single note style so you can hear what that single note is supposed to sound like, and imagine that you are articulating the vowel “E” while drawing in on the #2 draw.

Three: Exhale so that you have a lot of air to work with on the #2 draw, and while drawing in saying “E”, without changing anything else inside your mouth, change the vowel articulation to “OOO” or “AAAH”.

What this ultimately will do will be to change the air pressure inside that slot and will cause the brass reed to vibrate at a different rate, and the reed will be “bent” down.This gives you your bent note or “blue” note.

Harmonicas come in many different keys: the higher the pitch of harmonica, the shorter the reed. The shorter the reed, the harder it is to bend the note, at least until you get used to it. So start with at least a midrange harmonica such as the key of C, or go to a lower pitch harmonica key such as an A or even lower, a G harmonica, to practice bending notes.

The actual bending technique will be the same for all keys, but you will find it easier to learn the bending technique initially on the lower pitch harmonicas.

So those are the main elements of how to play blues harmonica:

1. Playing in the 2nd position or “crossharp” style

2. Playing in a pentatonic blues scale

3. Getting the “missing” blue notes of the scale by using the bending technique.

Blues harmonica is the root technique of almost all other harmonica styles, so whether you are a blues fan or not, it is a great place to start learning more fun techniques on the harmonica.

You can go to to get more help on how to play blues harmonica, especially the bending technique.

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