A Great Tip For Rock and Blues Guitar Improvisation

Rock And Blues Guitar Improvisation

Have you ever wanted to go to a music store and get a book that had the best information on how to play rock and blues guitar solos, explained in ways that were easy to understand and made sense, and not know which book to buy? Ever go out and get that book, only to discover that it had a bunch of information that you didn’t need and didn’t make a good deal of sense after all? Ever wonder whether the get chops quick guitar methods so prevalent on the Internet today are really ripoffs? Well, no need for further frustration, help is here.

I’ve been playing guitar for quite some time and understand these situations because I’ve been there. I used to wonder how the great rock and jazz guitarists learned what they learned in order to play the way they play. I was curious to know: What was their secret? What is the key that unlocked all that great playing and all that musicianship, and what is the easiest and most painless way for me to begin to approach that level? It is my goal in this article to begin to provide answers to these questions. That way, you won’t have to navigate the same musical maze that I did. These answers should, in effect, help make your musical experience that much more enjoyable. Incidentally, in spite of all the struggles, I still play music fervently and havenít quit playing even when it became difficult, a testimony to the power of music.

Blues Guitar Improvisation

 

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As many of you have, I have gone into music stores and on the Web looking for the best and most helpful books and methods to buy for the musical arenas I wanted to pursue. This is important of course because these books and methods are expensive (especially these days) and a budding guitar player shouldn’t have to go out and buy every book on guitar that’s out there. I’ve also noticed that there are quite a few guitar books that start off by throwing tons of scales at the student without ever even explaining clearly why all these scales need to be learned in the first place, or worse, how the scales should be used for blues guitar improvisation or which chords to play the scales over and why the scales sound good over a particular chord or series of chord changes (as opposed to sounding terrible). In contrast, we will begin the subject of learning to improvise lead guitar for rock and blues (while including concepts applicable to all guitar styles) with a very simple approach

Step 1: Learning The Names of The Individual Notes On The Fretboard

This is vital because in the art of improvisation, one has to know where one is on the fretboard at all times, regardless of what type of music is being played or improvised. Without knowing all the notes on the fretboard, it becomes easy to get lost and fall behind on the tune (while the chord changes the other musicians in the band are playing just roll on by). The natural shortcut, or the easy way out, is to only learn some of the notes on the fretboard. This approach will have at least two undesirable results: (A) the limited ability of only being able to improvise in certain keys (like A and E), and/or, (B) the limited ability of only being able to improvise on certain areas of the guitar neck. Jamming with other musicians and having these types of situations arise tends to lead to a good deal of embarrassment.

blues guitar improvisation

For beginners, there are three types of notes in music: Natural, Sharp, and Flat. So for example, the note G on the 6th string 3rd fret is also called G Natural. A note that is sharp is always one fret or one half-step higher; a note that is flat is always one fret or one half-step lower. Thus, G Sharp would be on the 6th string 4th fret; G Flat would be on the 6th string 2nd fret. Since A is the next natural note up from G, this means that G Sharp and A Flat are exactly the same note. This can be confusing at the start until an understanding of keys and key structure comes into focus later on.

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I realise that the prospect of having to learn every note on the guitar neck can cause feelings of dread and uneasiness; indeed, it may take some time to learn blues guitar improvisation. Learning the notes on the guitar academically is one thing, but getting that knowledge to work instantaneously under your fingers while improvising is something else. Easy and instinctive methods of learning the notes on guitar do exist, however. One method to begin with is to learn the basic open string chords common in every chord book (like A Major, E Major, and D Major) and take these movable chord forms (often called bar chords) up the guitar neck, simultaneously being conscious of the roots in those chord forms. Another helpful tip is to realise that any note played on the guitar twelve frets higher is going to have exactly the same name. So for example, the note on the 1st string 1st fret and the note on the 1st string 13th fret are both going to have the same name (in this case, the note F). Thus, all the guitarist has to do is to learn the notes of the open strings and the first eleven frets and then practice playing simple chords and note patterns in both the lower area (open to 11th fret) and the upper area (12th fret and above) of the guitar neck.

This simple approach outlined here is conceptually simple, but not easy. It can take some time to become good at blues guitar improvisation. It takes a few more words and a bit more effort to explain concepts clearly. My hope is that the information in this article will help make your musical experience less mysterious and more enjoyable, and that the next time you go into a music store or on the Web looking for guitar books and methods, you’ll know exactly what to look for.

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==> https://thebluesguitarist.net/jam-tracks-learn-blues-guitar/

 

==> https://thebluesguitarist.net/jam-tracks-learn-blues-guitar/

Have A Great Day

Claude Corry – TheBluesGuitarist.net

20 Most Influential and Best Blues Guitarists

20 Of The Most Influential and Best Blues Guitarists

Blues guitar is one of the most influential guitar genres, therefore the best blues players had a significant impact and influence on our music today. Ever since the end of the 19th century when the African-American communities of the Southern US started playing and singing the blues, it has affected and shaped other musical genres as well, including Jazz and Rock and Roll. Blues can be split into several sub genres as well, best known perhaps are the Delta, Piedmont, Jump and Chicago blues styles.

Blues Guitarists

Got the blues?

As such, the best blues guitarists were shaping the music of tomorrow, without them knowing it. Its only now that we realise that blues is in every genre of music to some extent. Music affects our mood, mindset, and everything about us, therefore these influential blues guitarists shaped society as well. Have you ever heard anybody saying, “I’ve got the blues”? ?

Here is a thorough, but by no means complete list of the best blues guitar players who helped shape and influence todays music. This is my own list, so if you have any additions, feel free to comment at the bottom of the post.

And if you get the sudden urge to listen to some more blues, go ahead and check out my favorite blues albums:

Price: Check on Amazon

 

My List of Best Blues Guitarists

Leadbelly

leadbellyHuddie William Ledbetter (January 1888 – December 6, 1949) was an iconic American folk and blues musician, notable for his strong vocals, his virtuosity on the 12-string guitar, and the songbook of folk standards he introduced.

Although he most commonly played the twelve string, he could also play the piano, mandolin, harmonica, violin, concertina, and accordion.

 

robert-johnsonRobert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues singer and musician. His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians.

Johnson’s shadowy, poorly documented life and death at age 27 have given rise to much legend. Johnson’s songs, vocal phrasing and guitar style have influenced a broad range of musicians; Eric Clapton has called Johnson “the most important blues singer that ever lived”. He was ranked fifth in Rolling Stone’s list of 100 Greatest Guitarists of All Time.

Robert Johnsons music

 

soin-houseSon House

Eddie James “Son” House, Jr. (March 21, 1902 – October 19, 1988) was an American blues singer and guitarist.

House pioneered an innovative style featuring strong, repetitive rhythms, often played with the aid of slide guitar, and his singing often incorporated elements of southern gospel and spiritual music. A seminal Delta blues figure, he remains influential today.

 

 

Skip James

Skip-JamesNehemiah Curtis “Skip” James (June 9, 1902 – October 3, 1969) was an American delta blues singer, guitarist, pianist and songwriter.

James often played his guitar with an open D-minor tuning (DADFAD). James’s 1931 work is considered idiosyncratic among pre-war blues recordings, and formed the basis of his reputation as a musician.

 

Muddy Waters

muddy-watersMcKinley Morganfield (April 4, 1913 – April 30, 1983) was an American blues musician, generally considered “the Father of Chicago blues”. Muddy headed to England in 1958 and shocked audiences with his loud, amplified electric guitar and thunderous beat.

He was a major inspiration for the British blues explosion in the 1960s. Muddy was ranked #17 in Rolling Stone magazine’s list of the 100 Greatest Artists of All Time.

 

T-Bone Walker

t-bone-walkerAaron Thibeaux Walker (May 28, 1910 — March 16, 1975) was an American blues guitarist, singer, pianist, and songwriter who was one of the most important pioneers of the electric guitar.

He was actually the first blues musician to use an electric guitar. He was ranked #47 in Rolling Stone magazine’s list of “The 100 Greatest Guitarists of All Time. Chuck Berry, B.B. King and Jimi Hendrix were mainly influenced by the life and style of T-Bone Walker.

 

Howlin’ Wolf

howlin-wolfChester Arthur Burnett (June 10, 1910 – January 10, 1976) was an influential American blues singer, guitarist and harmonica player.

With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues. At 6 feet, 6 inches (198 cm) and close to 300 pounds (136 kg), he must have been an imposing presence with one of the loudest and most memorable voices of all the “classic” 1950s Chicago blues singers. His rough-edged, slightly fearsome musical style is often contrasted with the less crude but still powerful presentation of his contemporary rival, Muddy Waters.

Credit for the success of Howlin’ Wolf should also be given to his guitarist and Blues Foundation Hall of Fame inductee, Hubert Sumlin.

 

Elmore James

elmore-jamesElmore  Brooks (January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, song writer and band leader.

He was known as The King of the Slide Guitar and had a unique guitar style, noted for his use of loud amplification and his stirring voice. James played a wide variety of blues often crossing into other styles of music, similar to that of Muddy Waters, Howlin’ Wolf and some of B. B. King’s work. Nonetheless, he was distinguished by his guitar’s more powerful sound, which was interestingly a modified, hollow body traditional acoustic guitar, which sounded like the more modern solid body guitars.

 

John Lee Hooker

john-lee-hookerJohn Lee Hooker (August 22, 1917 – June 21, 2001) was an American blues singer-songwriter and guitarist, born near Clarksdale, Mississippi.

He became famous for performing his own unique style of blues, which was originally closest to Delta blues. He developed a ‘talking blues’ style that was similar to the early Delta blues, his music was metrically free. His own unique genre of the blues often incorporated the boogie-woogie piano style and a driving rhythm.

 

Buddy Guy

buddy-guyGeorge “Buddy” Guy (born July 30, 1936) is an American blues guitarist and singer.

Guy is known for his showmanship, playing his guitar with drumsticks, or strolling into the audience while playing solos. He was ranked thirtieth in Rolling Stone magazine’s list of the “100 Greatest Guitarists of All Time”. While Buddy Guy’s music is often labeled Chicago blues, his style is unique. His style of blues can vary from the most traditional, deepest blues to a creative, unpredictable gumbo of the blues, avant rock, soul and free jazz that changes at every gig.

 

Albert King

albert-kingAlbert Nelson (April 25, 1923 – December 21, 1992) was an American blues guitarist and singer.

He was left-handed, but usually played right-handed guitars flipped over upside-down so the low E string was on the bottom. In later years he played a custom-made guitar (a Gibson Flying V, which he named “Lucy”) that was basically left-handed, but had the strings reversed (as he was used to playing). He also used very unorthodox tunings (i.e., tuning as low as C to allow him to make sweeping string bends). A “less is more” type blues player, he was known for his expressive “bending” of notes, a technique characteristic of blues guitarists.

 

Rev. Gary Davis

rev-gary-davisReverend Gary Davis, also Blind Gary Davis, (April 30, 1896 – May 5, 1972) was a blues and gospel singer and guitarist who was also proficient on the banjo and harmonica.

His finger-picking guitar style influenced many other artists and his students. He assumed a unique multi-voice style produced solely with his thumb and index finger, playing not only ragtime and blues tunes, but also traditional and original tunes in four-part harmony

 

B.B. King

bb-kingRiley B. King (September 16, 1925 – May 15, 2015) is an American blues guitarist and singer-songwriter acclaimed for his expressive singing and guitar playing.

Rolling Stone magazine ranked him at #3 on its list of the “100 greatest guitarists of all time.” He introduced a sophisticated style of soloing based on fluid string bending and vibrato that would influence virtually every electric blues guitarist.

 

Chuck Berry

chuck-berryCharles Edward Anderson “Chuck” Berry (born October 18, 1926) is an American guitarist, singer, and songwriter, and one of the pioneers of rock and roll music.

He refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and concerns and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music.

 

Eric Clapton

eric-claptonEric Patrick Clapton (born 30 March 1945) is an English blues-rock guitarist, singer, songwriter and composer.

Clapton is the only person who has been inducted into the Rock and Roll Hall of Fame three times. He was ranked fourth in Rolling Stone magazine’s list of the “100 Greatest Guitarists of All Time” and #53 on their list of the “Immortals: 100 Greatest Artists of All Time”. Although Clapton has varied his musical style throughout his career, it has always remained grounded in the blues; despite this focus, he is credited as an innovator in a wide variety of genres.

 

Rory Gallagher

Rory-GallagherWilliam Rory Gallagher (2 March 1948 – 14 June 1995) was an Irish blues-rock multi-instrumentalist, songwriter.

Initially playing acoustic and electric guitar, he started singing and later using a brace for his harmonica, Gallagher learned to play slide guitar, using a plectrum and metal slide on his smallest finger. He also became proficient on the alto saxophone, bass, mandolin, banjo, and the coral sitar, utilizing a glass slide made from an American Coricidian bottle on his electric guitars, instead of the metal slide.

 

Jimi Hendrix

jimi-hendrixJames Marshall “Jimi” Hendrix (born November 27, 1942 – September 18, 1970) was an American guitarist, singer and songwriter.

He is often considered to be the greatest electric guitarist in the history of rock music by other musicians and commentators in the industry, and one of the most important and influential musicians of his era across a range of genres. He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin’ Wolf, Albert King, and Elmore James.

 

Lightnin’ Hopkins

Lightnin-HopkinsSam “Lightnin’” Hopkins (March 15, 1912 — January 30, 1982) was a country blues guitarist, from Houston, Texas.

Hopkins’ style was born from spending many hours playing without a backing band. His distinctive fingerstyle playing often included playing bass, rhythm, lead, percussion, and vocals, all at the same time. He played both alternating and monotonic bass styles incorporating imaginative, often chromatic turnarounds and single note lead lines. He added rhythmic accompaniment by tapping or slapping the body of his guitar. Much of Hopkins’ music follows the standard 12-bar blues template but his phrasing was very free and loose.

 

Stevie Ray Vaughn

Stevie-Ray-VaughanStephen Ray Vaughan (October 3, 1954 – August 27, 1990) was a Grammy Award-winning American guitarist, singer, and songwriter.

He was ranked #7 in Rolling Stone’s list of the 100 Greatest Guitarists of All Time. His blues style was influenced by many blues guitarists. Foremost among them were Albert King, Otis Rush, Eric Clapton, Buddy Guy, and Jimi Hendrix. Vaughan’s sound and playing style often incorporated simultaneous lead and rhythm parts.

 

Jimmy Reed

jimmy-reedMathis James “Jimmy” Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter notable for bringing his distinctive style of blues into the mainstream.

Reed was an electric blues guitarist, as opposed to the more acoustic-based sound of many of his contemporaries. His lazy, slack-jawed singing, piercing harmonica and hypnotic guitar patterns are one of the blues’ most easily identifiable sounds even today.

 

Mississippi John Hurt

mississippi_john_hurtJohn Hurt (July 3, 1893 — November 2, 1966) was an influential country blues singer and guitarist.

He sang in a loud whisper, to a melodious finger-picked guitar accompaniment. Hurt’s influence spanned several music genres including blues, country, bluegrass, folk and contemporary rock and roll. A soft-spoken man, his nature was reflected in the work, which remained a mellow mix of country, blues and old time music to the end.

 

As I said, this is my own little list of best blues guitarists, but please add your picks below! And afterwards, go ahead and start learning blues guitar!

Read more: theguitarlesson.com

Rory Block Premieres Her New Acoustic Song, “Sugar In My Bowl”

Rory Block Showcases Her New Acoustic Song Tribute To Bessie Smith

Acoustic Song

 

Recently, master country blues guitarist Rory Block, who is an acoustic song  writer country/blues artist decided to put a decades-old idea of hers into action. The project—which she dubbed “Power Women of the Blues”—is dedicated to identifying, celebrating and honouring the work of iconic female blues artists, many of whom never experienced the recognition and commercial success that the Sixties blues revival brought to many of the genre’s male stars.

The first entry in Block’s “Power Women of the Blues” series is A Woman’s Soul, a tribute to the legendary Bessie Smith. Today, we’re delighted to premiere the latest single from that album, Block’s terrific cover of Smith’s “Sugar in My Bowl.” You can give it a listen below.

“’Sugar in My Bowl’ an acoustic song, might be the sexiest song Bessie Smith ever recorded,” Block told Guitar World. “This track came together immediately, as it really wanted to stay simple and clear. The vocal felt like something I’ve been wanting to sing my whole life. The words are direct and wonderfully bawdy, Bessie Smith style—if she sang it, I’m good with it!”

A Woman’s Soul is all acoustic song performances and set for a July 6 release via Stony Plain Records. You can check out its tracklist below.

 

A Woman’s Soul Track Listing

1. Do Your Duty 4:19

2. Kitchen Man 4:01

3. Jazzbo Brown from Memphis Town 3:36

4. Gimme a Pigfoot and a Bottle of Beer 3:47

5. Need a Little Sugar in My Bowl 3:20

6. I’m Down in the Dumps 6:09

7. Black Mountain 4:15

8. Weeping Willow Blues 4:11

9. On Revival Day 3:53

10. Empty Bed Blues 6:36

Heres A Few Other Rory Block Albums & Other Acoustic Blues Artists

 

Acoustic Song-Blues

 

 

Read more: guitarworld.com

Playing Blues Guitar In Open Tunings

Playing Blues Guitar With Open Tunings

Guitar tunings assign pitches to the open strings of guitars, including acoustic guitars, electric guitars and classical guitars, among others. Playing blues guitar tunings can be described by the particular pitches that are denoted by notes in Western music and are used in a lot of blues music. By convention, the notes are ordered from lowest-pitched string (i.e., the deepest bass note) to the highest-pitched (thickest string to the thinnest).
The phrase “guitar tuning” also refers to the adjusting of the string-pitches to their desired tuning to a reference pitch–often a note from a piano or Hammond organ and/or tuning the guitar strings so that the strings are in tune relative to each other. Tuning is described in how-to manuals for guitarists.

Playing Blues Guitar With Open Tunings

Playing blues guitar in standard tuning defines the string pitches as E, A, D, G, B, and E, from lowest (low E2) to highest (high E4). Standard tuning is used by most guitarists, and frequently used tunings can be understood as variations on standard tuning. “Nonstandard” tunings are also called “alternative” or “alternate”. Some tunings are used for particular songs by professional musicians, and may be called after the song’s title. There are hundreds of such tunings, which are often minor variants of established tunings. Communities of guitarists who share a musical tradition often use the same or similar tunings.

Playing Blues Guitar Learning Guitar Online

The hundreds of alternative tunings of playing blues guitar have been classified into a smaller number of categories: “open”, both major and minor (“crossnote”), and “modal”; “dropped” (in which the pitch of one or more strings is lowered); “instrumental” (based on other stringed instruments); and “regular”. Modal, dropped, and many other tunings are mentioned in the supplementary list of guitar tunings.
Joni Mitchell developed a shorthand descriptive method of noting guitar tuning wherein the first letter documents the note of the lowest string and is followed by the relative fret (half step) offsets required to obtain the pitch of the next [higher] string This scheme highlights pitch relationships and simplifies the process of comparing different tuning schemes.

TrueFire.com has everything in the way of guitar lessons online like Blues Rock, Jazz Blues and Acoustic Blues courses and also gives ideas about different open tunings for whatever you want to learn. In all they have around 180 guitar courses with the best teachers on the planet like Robben Ford, Jason Loughlin and Corey Congilo just to name a few. Heres just a few blues guitar lessons online courses. Follow this link here TrueFire.com

Heres Some Great Guides On Open Tunings From Amazon